Pernod Ricard Fellowship 2017. Villa Vassilieff, Paris. January 8th - March 3rd, 2018



















PROJECT PRESENTATION
During the first part of her res­i­dency in April 2017, Mercedes Azpilicueta devel­oped a research into sev­eral artistic fig­ures and tra­jec­to­ries, through meet­ings with art his­to­rians and critics, visits to museums and archive, and long strolls through the city and its under­ground — which she per­ceived as a place of col­lec­tive resis­tance, where bodies per­form dif­fer­ently from over­ground. She wrote a diary, hells, smells & shame, which served both as a draft script. 
During the second part of her res­i­dency in January & February 2018, Mercedes Azpilicueta will develop a script for a filmed per­for­mance, based on a series of working ses­sions with chore­og­ra­pher Pauline SimonJean-Baptiste Veyret-Logerias (per­former and per­for­mance maker, and a prac­ti­tioner of per­cep­tive somatic-psy­choe­d­u­ca­tion), per­former Emmanuelle Lafon, the­o­rist Myriam Suchet and curator Virginie Bobin (Villa Vassilieff) ; as well as on col­lec­tive work­shops with stu­dents from Paris 8 University, Paris 3 – Sorbonne Nouvelle University, and Fondation Maison des Sciences de l’Homme. Additional work­shops will take place at Cité Internationale des Arts on February 2 & 3 as part of We Are Not the Number that We Think We Are, a 36-hour event pro­duced by Bétonsalon - Center for Art and Research & Villa Vassilieff.
Mercedes Azpilicueta will also pro­duce a series of props and « visual mnemonics » in col­lab­o­ra­tion with artist and designer Lucile Sauzet.
Parts of these activ­i­ties will be recorded in col­lab­o­ra­tion with film-maker Hélène Harder, with the aim of pro­ducing a film in the course of the year 2018.
A work by Mercedes Azpilicueta, Pink pop­ping plank, is pre­sented in the exhi­bi­tion Akademia : Performing Life, on view at Villa Vassilieff from January 13 to March 24, 2018. Curated by Solvita Krese & Inga Lāce (Latvian Center for Contemporary Art). 
The work is all at once a sculp­ture, a set, a script, a score, and will be acti­vated during a series of work­shops taking place in the exhi­bi­tion.